Showing posts with label writers conference. Show all posts
Showing posts with label writers conference. Show all posts

Monday, August 8, 2011

Interview with Ginny Yttrup

Inspire Christian Writers, a writing group I'm proud to be a member of, is having their first conference on August 26 - 27 in association with ACFW (American Christian Fiction Writers).

Guest speaker at the Write To Inspire Conference will be author, Ginny Yttrup. She will focus on two subjects: Finding Your Voice and Marketing For Writers. Visit the Inspire Christian Writers conference page to sign-up.

Here's a little background on Ginny to get to know her:

When did you first want to write a book?

I co-authored my first book when I was in the fourth grade. The title was GINNIE AND THE JUNKYARD. I co-authored it with my best friend at the time, Ginny Bridges. We were allowed time in the teachers lounge to write and illustrate the book. My memory of that experience was more time spent bouncing erasers on the floor and convulsing in fits of laughter than actual time spent writing. The second book I attempted to write was WORDS.

What are two of your favorite writing/craft books?

I love James Scott Bell's PLOT AND STRUCTURE. It's a fiction writing book and I learned all I know about the structure of a novel by reading that book as I was writing WORDS. I refer to it regularly. I also love BIRD BY BIRD by Anne Lamott. Her language isn't always appropriate but her insights are wise and I love her humor. When I'm feeling discouraged with my writing, I pick up BIRD BY BIRD.

How important is goal-setting to you? Do you set daily/weekly word counts? How do you stay on track?

I set word-count goals, but I rarely keep them. By nature, I'm not a goal-setter or keeper. I tend to fly by the seat of my pants until I'm close to a deadline! Then I figure out what I need to do, how many words I need to write each day, and I keep the goal. In other words, I work best under pressure-unfortunately. I don't recommend this method.

How and when did you first grab the attention of an agent/editor? What was that experience like for you?

I began attending writers conferences when my sons were toddlers-about 18 years ago. I learned everything I know about writing from those conferences and from reading voraciously. At year 15 (!), I submitted, through the Mount Hermon Christian Writers Conference, a proposal for WORDS to agent Steve Laube. The evening before the conference began, I received an email from Steve asking me to find him the minute I stepped foot on the Mount Hermon property. I found him within the first five minutes of the conference and listened in awe as he talked on and on about my proposal. When he likened my protagonist, Kaylee, to Scout in TO KILL A MOCKINGBIRD, I knew I'd arrived. :-) It was a surreal experience and is still one of my favorite memories. My writing journey was one of faith and of perseverance.

What advice do you offer to new writers who are just getting started? What about for writers that are seeking representation/publication?

First and foremost: read, read, read. Read in the genre you want to write. Read books that make your heart beat fast—books that stir your passion. And read with a critical eye—learn from the books you read. Also read books on the craft of writing and, if possible, attend writers conferences. When seeking representation or publication, do your research. Before approaching an agent or editor, make sure you know they're interested in the genre you write and are accepting proposals. Be professional and personable. Know your project and prepare a brief pitch that touches on the highlights of that project. Most agents and publishers have submission guidelines on their websites—pay attention to what they want and how they wanted it submitted.

How do you go about plotting your stories? Are you a meticulous outliner? Do you just write? Or do you use some other method?

Typically, I come up with an issue I want to address, then a protagonist comes knocking on my mind and heart. I spend time creating that character-figuring them out. And somewhere in there, I come up with a spiritual theme for the book. All of that seems to happen together. Then I sit down to write. I don't plot. Instead, I let the story unfold as I write. I re-write my first chapters over and over and over as a means of finding my characters voices. Then I write sequentially from chapter one to the end. I write one draft—editing and making changes along the way.

What do you believe is the best thing about being a published author?

First, interacting with readers who God has touched in some way as they've read my book. I am awed by the way God works through the written word. Second, I love getting paid for writing!

How does it feel to have your story called "a masterpiece?"

WordsIt feels unbelievable. Literally. I think it's hard to believe because I know myself. I know who I am and who I'm not. I'm not the writer of masterpieces—I'm simply a gal who loves God and followed His call in faith even when all seemed hopeless. He is the One who created the masterpiece and gave me the gift of doing it through me.
_______________________

Now you've met Ginny in her own words, come out to hear her in person at Write to Inspire on August 26 and 27 at First Baptist Church in Elk Grove, California. And don't forget to check out Ginny's book Words.
Thanks to Lacie Nezbeth for the original interview of Ginny Yttrup.

Monday, April 4, 2011

SCBWI Spring Spirit 2011 Wrap-up

I attended the SCBWI Spring Spirit Conference in Rocklin last Saturday, bringing my neighbor Judy who also writes for children. We enjoyed a day of great speakers who enlightened our writing, made us exercise our skills and added knowledge to our writing journey.

Bruce Coville, Author
The keynote speaker was the energetic and prolific Bruce Coville, author of 95+ fantasy books for children. In his fast-talking style, he entertained as he leapt on the stage, sat on the back of a chair or stood on the seat while he passed on the following wisdom:
  • Read 100 picture books and pick the ten best. From those ten, write each story out by hand to learn structure and rhythm.
  • Writing is the art of choosing details.
  • Force your character to make a serious moral choice.
  • We write because our hearts are filled with thoughts and fears.
  • Glue yourself to the chair.
Eve Adler on Voice
Editor at Grosset & Dunlap in the Penguin Young Readers Group, Eve Adler, outlined what is voice using Nancy Deans' five elements of voice:
  • Diction—Choose words with meaning and connotation consistent with characters and story.
  • Detail—Put reader in story; facts, incidents, observations, reasons; create mental picture.
  • Imagery—Show, don't tell; revealing aspects of character and story not available otherwise.
  • Syntax—Technical aspect revealing feeling/personality: grammatical structure, sentence length, repetition, etc.
  • Tone—Sets relationship between writer and reader (chatty, distant, funny, dramatic, etc).
We read several opening paragraphs from books with strong voice and were asked to speak out what we got from the passage about the voice. Voice provides the emotional pull that draws the reader into a story. It's like the personality or heart and soul of the writing.

At the end of her session, Eve had us do three writing exercises about a character on a school bus: a kindergartner, a middle grade kid and the school bus driver. Several attendees read their exercises and received feedback.

Quinlan Lee, Adams Literary
Mid-day we heard Quinlan Lee of Adams Literary address issues of agenting—how to attract one, why we need one, and what to look for. Out of 300 agents, Adams exclusively represents children's authors and artists. In addition to knowledge of the industry, the agency prides itself on passion and commitment to their clients' work.

Greg Pincus on Marketing Yourself
The day wrapped with a session on social marketing with Greg Pincus, social marketing guru. Greg's message was lightening fast (I couldn't write notes fast enough). He based his social marketing success on the PFFT system: Prepare (have a plan), Find your home, Filter vs. search (use google alerts), and Talk (blog, give-aways, create events and establish expertise). Bottom line: pick a few favorite social networks (Facebook, a blog, Twitter) and work them to connect to people who connect you to more people.

As always, attending a conference gives you more tools and ideas to make your writing (and all that is connected with writing) a success and this years Spring Spirit Conference didn't disappoint.

Tuesday, July 27, 2010

FREE Online Conference for Children's Writers

Everyone Is Talking About WriteOnCon
If you haven't heard, there will be a FREE online conference called WriteOnCon for those of us who write for children. Yes... you heard right. A FREE conference on Tuesday, August 12 - Thursday, August 14, 2010. That's in two weeks!

There are a number of authors, editors and agents involved in this effort. It will be an interactive experience designed to give attendees similar features to a live conference, but in an online environment. The conference promises to be informative as well as entertaining.



With an eager intent to pay it forward, the founders of WriteOnCon have put together what looks to be a great online conference. So what are you waiting for? Go to WriteOnCon and register. Click on the Forums button at the top then click Register to get started.

I hope you'll look for me there.

Tuesday, February 23, 2010

The ABC's of the Writing Life

I spent yesterday organizing the material I brought back from the Christian Writers Seminar I attended on Saturday. That's one down and two more to go (See blog post on 1/28/2010). Before going I had decided to venture beyond the children's writing track and concentrate on workshops to enhance my writing in general. I settled on attending the fiction track taught by novelist John Olson.

John has written seven novels, receiving numerous awards including the coveted Christy Award. The most significant piece of information I came away with involved a visual, which helps me remember. As John explains, the hero must have an overall driving desire that propels him/her forward inevitably encountering serial conflicts along the way. Those serial conflicts also involve desires that drive the hero through the conflict.

Picture a water skier holding onto several tow ropes. Each rope is attached to a boat with a label (e.g., Romance, Mystery, Thrill, Adventure and Transcendence). Only one boat can pull the skier (aka hero) at a time. So as you write, let the current conflict/desire (e.g., Mystery—another phone call from the anonymous caller) steer the story forward to its mini-conclusion until the next boat (e.g., Thrill—car chase through the streets of Paris) takes control through another conflict encounter. All the action and suspense keeps the reader involved, wondering what's next as the story moves to its conclusion where the hero solves his big desire.

Whew!... I'm worn out getting through all that action and suspense. Really gets your creative juices going. Speaking of which... I'm finding it very helpful to read lots of different fiction to help get my own juices going. My next book to read will be John Olson's Fossil Hunter. The female hero, Dr. Katie James, makes a shocking discovery that sets the world of paleontology on its ear. Can't wait!

Sunday, April 12, 2009

Writing For Kids — Alleluia!


He is Risen — Alleluia!

I went to the Mount Hermon Writer's Conference and came home with my mind filled to the brim. I made many new friends from all over the country. It was an incredible experience. Go to Inspire Writers to read more about my experience at the conference.

Writing for children is a particular craft all to itself. I took the Children's Writing track with Mona Hodgson who has written numerous children's books from picture books to middle grade non-fiction. With 21 years of experience, she packed a lot of great material in the 9 hours of workshop.

She revealed requirements we must possess to write great material for children and important aspects, such as: 
  • Why write for children?
  • Where to look for ideas
  • What formats for each age group
Mona covered details about each type of book, the various formats and relevant age groups as well as all facets of story construction and how to submit manuscripts for each. She opened our eyes to others forms of writing for children, for example:
  • Magazines
  • Church take home papers
  • Devotionals
  • Curriculum
  • Poetry
  • Miscellaneous (e.g., rebus, puzzles, activities, cartoon, crafts and quizzes)
In future posts I will talk about a particular area about writing for children that I learned, for example, how to write a cover letter for your manuscript.

Tell me what you would like to know about writing for children. 

Wednesday, April 1, 2009

Manuscripts Received...I'm on My Way to Mount Hermon

Tomorrow I leave for a five-day writers conference at Mount Hermon in the Santa Cruz mountains. I sent two manuscripts ahead of the conference. One for editorial review by Nick Harrison, Senior Editor at Harvest House Publishers.  The other for critique by Barbara Curtis.

I'm very excited about the submission for editorial review. I submitted my picture book The Tail of Chessie--the Heart of God. It's been completely rewritten and critiqued. I am very happy with it. It's a great story about Dillon and his dog Chessie who endears herself to Dillon with an attentive personality and ever-wagging tail. Dillon learns about the character of God through Chessie.

I also submitted an adult article about personal growth through a tragic incident. I hope to get it published in a magazine.

I finished the manuscripts under duress of illness and mailed them off. Best of plans can be thwarted by being sick. My head was feeling foggy as I worked to carefully polish the manuscripts and get them in the mail. To my distress I noticed a blatant error on the first page of my picture book today as I was getting things ready to leave..Arghhhh! I'm hoping that it miraculously goes unnoticed.

Leave a comment and tell me your submission stories.

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